Album Review: Dope Lemon – Golden Wolf
2 min read
Angus Stone’s fifth album as Dope Lemon, Golden Wolf, ushers in a new chapter of his distinctive blend of laid-back psychedelia, introspective songwriting, and hazy soundscapes. This record immerses listeners in a world of evocative lyrics and richly textured melodies, creating a journey that is both expansive and deeply personal.
The album begins with John Belushi, a smooth opener that introduces the listener to its reflective mood. The track, while easygoing in tempo, carries an air of nostalgia and introspection. This feeling is seamlessly carried forward into Electric Green Lambo, where a more vibrant rhythm and a funk-inspired groove give the track an infectious energy, adding a dynamic shift to the opening mood.
With Sugarcat, the tone shifts again, leaning into a breezy, sun-soaked vibe reminiscent of warm evenings by the sea. The track stands out for its dreamy quality, its flow irresistible and effortlessly cool. Yet, as the title track Golden Wolf unfolds, the album slows, embracing a more meditative, contemplative atmosphere. The song delves into themes of impermanence, balancing the melancholy of fleeting time with a haunting beauty that invites deep reflection.
Next, Yamasuki – Yama Yama surprises with an unexpected turn—tribal beats and exotic vocal samples create a compelling atmosphere of mystery. It’s a track that boldly experiments with genre and texture, illustrating Stone’s desire to explore new frontiers within his sonic world. Meanwhile, Maggie’s Moonshine introduces an intriguing jazz-inspired interlude, with smooth saxophone and a relaxed groove that contrasts the album’s more laid-back moments, showcasing Stone’s ability to shift musical gears without losing his signature style.
With On the 45, the rhythm picks up again, the track exuding a carefree energy punctuated by lively guitar solos and tropical percussion. The song’s infectious nature makes it a highlight, especially suited for sunlit afternoons or long drives. The album concludes with the expansive Dust of a Thousand Stars, a nearly eight-minute instrumental odyssey that leaves a lasting imprint. The track’s rich layers of sound and spoken-word passages are both immersive and profound, closing Golden Wolf in a fittingly cinematic way.
The production of Golden Wolf, overseen by Stone and his long-time collaborator Ben Edgar, is a triumph. The album feels cohesive, with each track flowing into the next, allowing the record to be enjoyed as an uninterrupted experience. From lush instrumentals to the subtle nuances of Stone’s vocals, the album builds a world where time seems to slow down, inviting listeners to lose themselves in its sonic layers.
In summary, Golden Wolf is an album that invites its audience to take their time—an exercise in reflection, escapism, and discovery. Angus Stone continues to refine his craft, producing a collection that feels both timeless and of the moment. With this record, Dope Lemon proves that his unique blend of psychedelia and introspection remains as captivating as ever.
